Timeline
Crafts and Industries
Crafts and Industries Prehistory
Making flint tools, pottery or metalwork needed much skill and practice. The tools and everyday items from this time represent a range of levels of technical skill and specialist ability.
Crafts and Industries Roman Fortress
The Roman army brought with them many new skills in craft and industry. They brought new technology for making pottery, the production of tiles for buildings, the quarrying of stone, and even gold and silver-working. Excavations in the city discovered their workshop were metal tools and weapons were made and repaired for the legionary soldiers.
Crafts and Industries Roman Town
The citizens of the Roman town continued to use many of the skills introduced by the army. Both everyday and luxurious items including pottery, building tiles and gold and silver-working were made in the town. The townspeople also made food in the Roman style, with excavations revealing an oven used to bake Roman bread.
Crafts and Industries Dark Age Town
No evidence has been discovered yet in Exeter relating to crafts and industry in prehistory. After the collapse of the Roman town the local people probably went back to more traditional ways of living, with their houses and everyday items made from materials like wood and leather, which have not survived until today.
Crafts and Industries Saxon Town
The archaeological finds from the Saxon town show a wide range of activities going on side-by-side in the centre of the city. These include the working of textiles and leather, metalworking, butchering and hornworking. Away from the city centre, an Anglo-Saxon pottery kiln produced ceramics of very high quality.
Crafts and Industries Norman Town
A range of crafts and industries thrived in the Norman town, including textiles, leather, bone and metal working. The ambitious Norman programme of building new churches and castles must have greatly developed the local building industry. By the late 12th century local craftsmen were creating some very high skilled pieces of architectural stonework.
Crafts and Industries Medieval City
The medieval city of Exeter developed as a regional centre for manufacture. The highly skilled work of wood and stone craftsmen can be seen in the Cathedral and many churches in Devon. Everyday items also continued to be made in the city, including pottery, wooden and metal items. The city was well-known for the production and trade in woollen cloth, yet none of this cloth is known to survive today.
Crafts and Industries Tudor City
Exeter continued to thrive as a regional centre for manufacture with industries in bell-founding and glassmaking developing during this time. Among the building trades, the city's wood-carvers, stonemasons and plaster workers are well represented throughout Devon. The main source of employment for the people of Exeter was the cloth trade, but evidence for this is very elusive in the archaeological record.
Crafts and Industries Civil War
In January 1644, following the capture of Exeter by Royalist forces, King Charles I commissioned Sir Richard Vyvyan to set up a new mint in the city. Vyvyan had minted coins for the King at Truro in 1642-3, and he brought with him some equipment from there including coin dies. The location of the mint in Exeter is not firmly known but there are suggestions that it was in St Olave's parish, probably in Mint Lane. A full range of denominations from one penny to the gold unite (one pound) was issued; many of these are very rare.
Crafts and Industries Golden Age
Exeter was a thriving city based on the success of its cloth trade, employing about 60% of the city's workforce at this time. The principal kind of cloth produced was serge - light, hard-wearing and brightly coloured woollen. Celia Fiennes, a traveller who visited the city in 1698 wrote that the Exeter cloth trade ‘turned the most money of anything in England'.
Gold and silver working continued to grow in Exeter, principally producing silver spoons and items for churches. Following a conflict between the Exeter and London goldsmiths an assay office was set up in Exeter in 1701. Shortly afterwards a local goldsmith called John Elston brought London craftsmen to Exeter, who were skilled in making complex objects. His workshop was able to produce much more sophisticated products and was very prolific.
Crafts and Industries Georgian City
Exeter's important cloth trade collapsed in the late Georgian period. Other small industries developed including clay pipe makers, pewterers, glass-blowers, clockmakers and sculptors. During this time many small businesses were established, including banks and insurance companies. Some of these have survived until today.
Crafts and Industries Victorian City
Victorian Exeter was filled with private businesses. These ranged from breweries to brickworks, metalworking to lace production. In showing off the skills of Victorian craftsmen the museum building is itself a prime example, being a major commission of the leading local architectural practices of the day.
Crafts and Industries Modern City
For the first part of the 20th century Exeter continued as a place of industry and crafts, with important iron foundries and brickworks, and a wide range of smaller enterprises including an Art pottery. Today many of these industries have been replaced with modern industries but the city remains a regional centre.

Fragment of mosaic

Fragments of antefixes

Fragments of window glass

Fragment of a basin from the bath–house

How to tell wheel–thrown from hand–made wares

How to tell wheel–thrown from hand–made wares

Antefixes on a roof

View of the fabrica under excavation

View of the front room of the fabrica

Rim of a mortarium (mixing bowl)

Fragments of mosaic

The hand–axe found at Magdalen Street, Exeter

A Palaeolithic implement

Mesolithic microliths from Retreat Field, Topsham

Neolithic polished axe from Waybrook Cottages, Alphington

Neolithic flint axe fragment, St Bridget’s Nursery, Topsham

Neolithic polished axe fragment from Goldsmith Street, Exeter

Neolithic axe fragment from Topsham

Flint tools found between Topsham and Countess Wear

Flints from the Ludwell Valley

Bronze Age axe from the Exeter area

Broken Early Bronze Age knife from the Cathedral Close excavations

The Pinhoe hoard of Bronze Age metalwork

Neolithic and Iron Age pottery from Friernhay Street

Bone tools used in textile production

A metalworker’s crucible

Wasters from a potter’s kiln

Model of the Saxon pottery kiln

Pennies of Aethelred II struck at Exeter

Pennies of Cnut and his sons struck at Exeter

Pennies of Edward the Confessor and Harold II struck at Exeter

A Middle Saxon gold finger–ring

Post Office refreshments token (reverse)

Metalworking

Tiles with paw prints

A baker’s oven

Slates from the Topsham bakehouse

Exeter Coffee Tavern token (obverse)

Exeter Coffee Tavern token (reverse)

A fragment of a Norman doorway

A fragment of a Norman arcade

Capital from the Black Lion Inn, South Street, Exeter

Fragments of a late Norman arcade

Coins struck by Norman kings at Exeter

Casting a bell for Mary Major Church

The Guildhall: a modern view of the interior

Carter’s drawing of the Cathedral west front (north end)

Carter’s drawing of the Cathedral west front (south end)

The Cathedral nave

The tomb of Bishop Stafford

The Minstrels’ Gallery

Bishop Marshall’s tomb

Mouldings in the Lady Chapel

The Bishop’s Throne

The Cathedral Choir

The Cathedral Chapter House

A boss from the Bishop’s Palace

The fireplace from the Precentor’s house, Cathedral Close

Detail of an angel from the Chantry fireplace

The initials of John Coombe from the Chantry fireplace

Seal of Prior Thomas Dene

An angel in alabaster

Glass panel of an angel by the Exeter Cathedral Master

The face of the angel

The feet of the angel

A bell cast by Robert Norton of Exeter

The founder’s mark on the bell cast by Robert Norton

Two iron coin dies used to forge gold coins

Bronze scrap from Exe Bridge

An ampulla mould

North French jugs

A South Somerset jug

A group of late medieval pottery

A silver ring from Exe Bridge

Model of The House that Moved, Frog Street

Moving The House that Moved in 1963

Figure of St Peter

A wooden mallet

Wooden bowls and a plate

A medieval barrel from Paul Street

A detail of the barrel from Paul Street

Joanna Southcott’s quilt

Decorative stud

Medieval roof finial

Bowhill: the hall roof

Bowhill: drawing of a chamber roof

An alabaster panel

The Guildhall façade when complete

A capital from the Guildhall facade

A sculpted panel from the Guildhall facade

The Elizabethan door of the Guildhall

An Elizabethan Communion cup and cover

Perspective painting of the reredos of Exeter Cathedral in the 1630s

46 High Street

Reconstruction of 46–7 High Street

Wooden overmantel from 229 High Street

A fireplace surround at 229 High Street

Drawing of plasterwork ceiling at 170–1 Fore Street

A carved board from 170–1 Fore Street

Plaster ceiling at 38 North Street

A doorway from Larkbeare House

A Frechen stoneware cup with Exeter silver–gilt mounts

The Gilbert spoon

Pottery made by Dutch immigrants in Exeter

The Matthew the Miller clock, St Mary Steps church

The dial of the Matthew the Miller clock

The figure of ’Matthew the Miller’

The Birdall bell–foundry

A bell cast in the Exeter foundry c1620

The family coat of arms of the Bamfylde family

A mould for making a manilla

A cauldron

Mould fragments from cauldron casting

Detail of the door overhead

Woolcombers at work (reverse)

Woolcombers at work (obverse)

Street names

Cloth seals

Tuckers Hall

Reconstruction of Thomas Pennington’s foundry

The Pennington foundry under excavation

Remains of a bell–casting

The engraving and marks on the Bow Meeting dish

The alms dish of the Bow Meeting

A mould for casting the handle of a skillet

Early 17th century clay pipes made in Exeter

A woolcomb

A series of tenterhooks

Penny of Aethelred II struck at Exeter

A 1½d check from Glade’s Black Dog Inn (reverse)

A check from the Victory Inn, Sidwell Street (reverse)

A 3d check from the Eagle Tavern, Barrack Road (reverse)

A 6d check from the Country House Inn (obverse)

A token of the Ship Inn, Heavitree (reverse)

A token of the Coach and Horses Inn (reverse)

The Apothecaries Hall

Doors of the High School

The cloth market in the cathedral cloisters

Four Exeter half–crowns (reverses)

Four Exeter half–crowns (obverses)

Six Exeter crowns (obverses)

Six Exeter crowns (reverses)

The reverse of an Exeter half–crown

A woodblock inset for a tillet block

Plaster ceiling and cornice from the Half Moon Hotel, Exeter, c 1680–90

The cornice from the Half Moon Hotel

Plaster flowers from the Half Moon hotel ceiling

A section through the cornice

Baptist’s cups

A rat–tailed spoon

A Communion flagon

Waste from an Exeter pipe kiln

A longcase clock

Bottle seals

Coins of the Exeter mint of 1696–7

An olive jar from Seville

Tillet block showing a weaver

Pottery used in sugar refining

Great Moor Farm, Sowton: overmantel depicting the sun

Conserving the Great Moor Farm plaster

A rainwater head from Bradninch Place

An impression from a tillet block

Cartouche from the Guildhall picture frames

Two swags from the Guildhall picture frames

Virginals by Charles Rewallin of Exeter

Nocturnal dial

Toy figurines

Letter of 1700 with Exeter postmark

Letter of 1699 without Exeter postmark

A silver cup made in Exeter

A chocolate pot made in Exeter

The Exeter Clock

One of the Custom House ceilings

Cleeve House: the plaster ceiling

Cleeve House plasterwork: a detail

Cleeve House plasterwork: a detail

’The Last Judgement’ by John Weston of Exeter

A panel from William Musgrave’s tomb

English glass bottles

A bell cast in Exeter

Detail of an Exeter bell

Four Exeter traders tokens (obverse)

Four Exeter traders tokens (reverse)

Tenter frames around the Quayside

Cricklepit Mill: the exterior

Milling machinery at Cricklepit Mill

Archaeological drawing of part of Cricklepit mill

The Cricklepit Dryhouse

Tenterhooks in Criklepit Dryhouse

Long section through the Cricklepit Dryhouse

A wood block inset for a tillet block

The cloister today

Heavitree police truncheons

The collapse of the wool trade

Head Weir Mills

Lower Mills

A china–seller’s shop stock from Goldsmith Street

A china–seller’s shop stock from Goldsmith Street

A one pound note of the General Bank, Exeter

A five pound note of the Devonshire Bank

An engraved beaker

A ticket for the Exeter turnpike

The new Post Office in Queen Street

Waterwheel in Cricklepit Mill

Poster of the St Anne’s Well Brewery Company

The Malthouse, Haven Banks

The early development of the Malthouse from the 1780s

Later developments at the Malthouse

The Clifton Hill brickworks

A wood carving from Harry Hems’ studio

A product of the Exeter Art Pottery

A 6d check from the Country House Inn (reverse)

A 3d check from the Eagle Tavern, Barrack Road (obverse)

A check from the Victory Inn, Sidwell Street (obverse)

A token of the Ship Inn, Heavitree (obverse)

A 1½d check from Glade’s Black Dog Inn (obverse)

A token of the Coach and Horses Inn (obverse)

The Garton and King hammer

Check for Thomas Carnall’s Coffee House (obverse)

Examples of ’Honiton’ lace

Victorian lace

Glass from the hospital chapel

A fireman’s badge

Brass plaque of Willey and Co

Three stoneware flagons

Brickworks at Clifton Hill

Millennium Optimism by Peter Thursby

Boat repairs at Topsham

Iron Age pottery undergoing reconstruction at Exeter City Museums

A Bronze Age armlet

A bowl used in the Roman fortress

Post Office refreshments token (obverse)

Wheel–thrown grey wares

Evidence of gold–refining

Long–and–short quoins in the castle gatehouse

The groin–vaulted cellar room at St Nicholas Priory

A detail of a scalloped Norman capital

Two shaft fragments from the cloister of St Nicholas Priory

Decorated bone panels

Sculptures in the West Front of Exeter Cathedral

The quarries supplying Exeter Cathedral

Decorated window tracery at Exeter Cathedral

Decorated window tracery at Exeter Cathedral

Tracery patterns in the choir at Exeter Cathedral

The geology of a bay of Exeter Cathedral

Sculpture of the Annunciation at Exeter Cathedral

Medieval floor tiles in Exeter Cathedral

Archaeological study of the high roofs at Exeter Cathedral

Dendrochronology in progress at Exeter cathedral

The roof of Exeter Cathedral Chapter House

The vault of Exeter Cathedral’s nave

The timber vault in Exeter Cathedral

Measured drawing of the north tower vault

Fragment of a sculpture of the Virgin and Child

Misericord showing a woman picking nits from her daughter’s hair

Heavitree stone

Exeter Trap stone

The front door of the Guildhall

The ‘Tudor Room’ at St Nicholas Priory

View of the Matthew the Miller clock before restoration

A ‘flute glass’ from Trichay Street

Inside Tuckers Hall

Reconstructions of the corn mill at Cricklepit Mill

Nicholas Hilliard

The Cricklepit area in the 17th century

Reconstruction view of Cricklepit Mill in the 1750s

The area of Cricklepit Mill in the 18th century

Cricklepit Mill in the 1980s

Tanning Pits at Exeter

Francis Hayman

Matthew and Philip Pear

Badge of a West of England fireman

Codd bottles

Items from Kennaway

Malting floor tiles

A Heavitree cooper

Photo of Bodley’s foundry

Engravings of machinery made at Bodley’s

A pattern from Bodley’s

Patterns from Bodley’s

Reconstruction of Cricklepit Mill

Head Weir Paper Mills

Strike–fund box from the Stoke Canon papermakers’ strike

The St Louis reredos

West of England fire–mark

West of England fire insurance plaque

A set of scales and coin–weights made in Exeter

Detail of the boxed weights and scales

Invoice from Oliver Brothers

Invoice from Peters and Hamlin

Invoice from James L Thomas and Co

Invoice from Kennaway and Co Ltd

Invoice from S Lendon and Sons

Exeter Sail Cloth stamp

Holland stamping block

Kennaway’s stamping block

Bone needle

Fireman’s hat

Detail of a willow basket

Deller’s cafe mug

Parts of an early calculator

An angel collected by Harry Hems

A green man collected by Harry Hems

Lottery ticket

A five pound note of City Bank, Exeter
colour scheme
